Emotion in T.S. Eliots The Love Song of J. Alfred Prufrock Essay examp

Emotion in T.S. Eliots The Love verse of J. Alfred PrufrockIn his meter The Love Song of J. Alfred Prufrock, T.S. Eliot subtly conveys a wide variety of Prufrocks emotions he creates poignancy for the verbalizer by employing the objective joint, which Eliot defines as a set of objects, a situation, a chain of events that sh each be the formula of that occurrence emotion ( juncture and His Problems). The basic stanza introduces Prufrocks isolation, as epitomized metaphorically by half-deserted streets (4) while empty streets demand solitude, Eliots diction emphasize Prufrock having been deserted by the other half needed for a relationship or an argument (8). Hoping for a companion, Prufrock speaks to the lecturer when saying, Let us go then, you and I (1), as he involve to address his lament to an audience witting of the readers tenuity regarding the overwhelming question, (10) Prufrock answers, Oh, do non ask, What is it? (11). (The potential explanation for Eliots unr econciled use of you in this stanza is Prufrock probably convey you as To lead one, as he refers to himself and not the reader in line 10.) Eliot continues the metaphor of Prufrocks lonesomeness by anthropomorphizing the yellow fuzziness and smoke (15, 16) to signify Prufrock, who interacts not with people, but only the environment in the third, fourth, and fifth stanzas. Clearly it is Prufrock who rubs his fit on the window-panes (15, 16), passively lets fall upon his natural covering the soot that falls from chimneys (19), slides along the street (24), and performs the actions in any case described also, the opaqueness of fog and smoke symbolizes the obstruction with which readers perceive Prufrocks true character, get on separating ... ...ers/you make of them, (37-9) Prufrock defines his misfortune by women, just as King Lear, also called fool, attributes his madness to women (his daughters). Reminiscent of Hamlet and Lear asking for the procreation of men standardised t hemselves to end , Prufrock thus speaks for all people like himself when he sentences those limit by inaction to death. virtually likely intentional, the entire poem dirty dog be considered a metaphysical conceit designed to create pathos Eliot uses the extended metaphor of Prufrock not acting, except mentally, and thus dying entirely as the objective correlative for Prufrocks anxiety of choice and consequence despair.Work CitedEliot, T.S.. The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. Ed. M.H. Abrams. New York Norton, 1996.Pinion, F. B. A T.S. Eliot Companion. Totowa Barnes & majestic Books, 1986. Emotion in T.S. Eliots The Love Song of J. Alfred Prufrock Essay exampEmotion in T.S. Eliots The Love Song of J. Alfred PrufrockIn his poem The Love Song of J. Alfred Prufrock, T.S. Eliot subtly conveys a wide variety of Prufrocks emotions he creates pathos for the speaker by employing the objective correlative, which Eliot defines as a set of objects, a situation, a chain of events that shall be the formula of that particular emotion (Hamlet and His Problems). The first stanza introduces Prufrocks isolation, as epitomized metaphorically by half-deserted streets (4) while empty streets imply solitude, Eliots diction emphasize Prufrock having been abandoned by the other half needed for a relationship or an argument (8). Hoping for a companion, Prufrock speaks to the reader when saying, Let us go then, you and I (1), as he needs to address his lament to an audience conscious of the readers curiosity regarding the overwhelming question, (10) Prufrock answers, Oh, do not ask, What is it? (11). (The likely explanation for Eliots inconsistent use of you in this stanza is Prufrock probably meaning you as To lead one, as he refers to himself and not the reader in line 10.) Eliot continues the metaphor of Prufrocks lonesomeness by anthropomorphizing the yellow fog and smoke (15, 16) to signify Prufrock, who interacts not with people, but only the environment in the third, fourth, and fifth stanzas. Clearly it is Prufrock who rubs his muzzle on the window-panes (15, 16), passively lets fall upon his back the soot that falls from chimneys (19), slides along the street (24), and performs the actions also described also, the opacity of fog and smoke symbolizes the difficulty with which readers perceive Prufrocks true character, further separating ... ...ers/you make of them, (37-9) Prufrock defines his misfortune by women, just as King Lear, also called fool, attributes his madness to women (his daughters). Reminiscent of Hamlet and Lear asking for the procreation of men like themselves to end , Prufrock thus speaks for all people like himself when he sentences those limited by inaction to death. Most likely intentional, the entire poem can be considered a metaphysical conceit designed to create pathos Eliot uses the extended metaphor of Prufrock not acting, except mentally, and thus dying alone as the objective correlative for Prufrocks anxiety of choice and consequent despair.Work CitedEliot, T.S.. The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. Ed. M.H. Abrams. New York Norton, 1996.Pinion, F. B. A T.S. Eliot Companion. Totowa Barnes & Noble Books, 1986.